Indian Teepee No.1

Vertical Multicolor Sculpture © 2012

Recycled Glass / Iron / Lead
Large size

6 panels - H 118 in - L 19.7 in each - D 98.4 in

6 panels - H 3 m - L 50 cm each - D 2.50 m

This is a unique piece.

Indian Teepee No.3

Vertical Multicolor Sculpture © 2012

Recycled Glass / Iron / Lead
Small size

6 panels - H 3.3 ft - L 0.8 ft each - D 1.9 ft

6 panels - H 1 m L 25 cm each - D 60 cm

This is a unique piece.

MARU’s INDIAN TEEPEES ...

Maru, Maru Hernandez, Maria Hernandez, Maria Eulalia Hernandez, artista, artista plastico, artista plastico venezolana, esculptora, esculptora venezolana, bronze, wax, glass, recycled glass, recycled glass artist, eco-friendly artist, lands, chinas, bronze, wax, inks, acrylics, glasses, enamels, fine arts, artiste plasticienne, Maru, plastic artist, artiste plasticien, artiste plasticienne, arts, art, arts du feu, art du feu, arts plastiques, sculpture, peinture, émaux, vitraux,  bronze, cuivre, verre, écologie, recyclage, décoration, sculpteur, sculptrice, peintre, France, Paris, Venezuela, Caracas, Los Angeles, Etats-Unis, Londres, Angleterre, artista plástico, artes, arte, artes del fuego, arte ddel fuego, artes plásticas, escultura, pintor, pintora, esmalte, esmaltes, vitral, vitrales, bronce, cobrre, vidrio, vidrios, cología, el reciclaje, decoración, escultura, escultor, pintor, Francia, París , Venezuela, Caracas, Los Angeles, Estados Unidos, Londres, Inglaterra, artist, visual artist, arts, art, fire art, fire art, visual arts, sculpture, paintings, enamels, stained glass, bronze, copper, glass, ecology, recycling, decorating, sculpture, sculptor, painter, France, Paris , Venezuela, Caracas, Los Angeles, United States, London, England, Künstler, bildende Künstler, Kunst, Kunst-, Feuer-Kunst-, Feuer-Kunst, bildende Kunst, Skulptur, Malerei, Emails, Glasmalerei, Bronze, Kupfer, Glas, Ökologie, Recycling, Dekoration, Skulptur, Bildhauer, Maler, Frankreich, Paris , Venezuela, Caracas, Los Angeles, Vereinigte Staaten, London, England, アーティスト、映像作家、芸術、アート、火災、芸術、火災、芸術、視覚芸術、彫刻、絵画、エナメル、ステンドグラス、銅、銅、ガラス、エコロジー、リサイクル、装飾、彫刻、彫刻家、画家、フランス、パリ、ベネズエラ、カラカス、ロサンゼルス、アメリカ合衆国、ロンドン、イギリス, 藝術家,視覺藝術家,藝術,藝術,藝術火災,火災藝術,視覺藝術,雕塑,繪畫,搪瓷,彩色玻璃,青銅,銅,玻璃,生態,循環,裝飾,雕塑,雕塑家,畫家,法國,巴黎,委內瑞拉,加拉加斯,洛杉磯,美國,倫敦,英國, 艺术家,视觉艺术家,艺术,艺术,艺术火灾,火灾艺术,视觉艺术,雕塑,绘画,搪瓷,彩色玻璃,青铜,铜,玻璃,生态,循环,装饰,雕塑,雕塑家,画家,法国,巴黎,委内瑞拉,加拉加斯,洛杉矶,美国,伦敦,英国, sculptures, stained glass sculptures, vitraux, painter, pintora, peintre, sculptor, venezuelan sculpture, french sculpture, vitrales, sculptures and stained glass, sculptures et vitraux, esculpturas y vitrales, Beaux-Arts, porcelain, fire, water, waves, ondes, cosmica, chats lunaires, lunar cats, life parade, myriads, prism, art, Maria Hernandez, Maria, Hernandez, portrait sculpture, bronze portrait sculpture, mask, bronze mask, custom mask, bronze custom mask, my essence, self-portrait, self-portrait sculpture, bronze self-portrait, bronze self-portrait sculpture, taylor-made mask, taylor-made sculpture, taylor-made self-portrait, eternal self-portrait, plaster bandages mask, plaster bandages mold, plaster cast, traditional lost wax bronze casting, lost wax bronze casting, bronze casting, cire perdue, cera perduta, Lost Wax process, Cornille-Havard foundry, Cornille-Havard, Villedieu-les-Poëles, Villedieu workshop, bronze foundry, french bronze foundry, patina, patinas, traditional patinas, bronze patination, bronze patinas, Liver of Sulfur, Sulfurated Potash, Potash, Ferric Nitrate, Cupric Nitrate, photo book, Foldable plywood export boxes, Foldable plywood box, biodegradable Foam, glass sculptures, stained glass sculptures, ceramic sculptures, porcelain sculptures, enamel sculpture, bronze sculpture, venezuelan artist, venezuelan sculptor, venezuelan painter, french artist, french sculptor, french painter, sculptor normandy france, glass sculptor normandy france,

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Visual language composed with modules ... Pentagrams written in the space creating internal atmospheres, conducive to daydreaming, and external, such as trees of life under the magical lights of the sun and of the moon ... These pieces come in various sizes ranging from 67 cm x 40 cm and 200 cm x 80 cm … They live in freedom like musical notes ... Fields of alpine flowers … Enchanted forests ... Each artwork is composed of panels of twisted iron, bent in the shape of rods which are reversed and welded together … Glass pieces are then woven into an opened frame feathery forming a stained glass slightly suspended in its iron holder ...

Crafts and ecological ... they are made from recycled bottles …

Broken by thermal shock, recycled bottles then give life to glass tiles ... I make each artwork from the new pieces, carefully chosen, always looking for transparencies ... textures ... depths... in a perpetual discovery where the alliance of the fire is always unexpected and surprising ... to create atmospheres conducive to daydreaming ...

Sculpture design gives them a three-dimensional dimension ... They are open so they create spaces full or empty ... such as plants foliage ... They can be moved in the space, in search of light ... while remaining accessible to the touch and to the contemplation at any time as they also benefit from artificial lighting ... The modules assembly is consistent with ancient techniques ... It consists of lead bars to partition and of tin bars for the soldering ... which becomes a source of interesting textures and contrasts ...

RECYCLED GLASS

STAINED GLASS

STAND STRUCTURE

MARU’S STATEMENT

I am passionate about stained glass... I often go contemplate stained glass modules in abbeys ... churches and cathedrals of the Middle Ages … I also love glass and colored glass bottles ... One day, I was in the church of Ouche Conches, in Normandy (France), contemplating its beautiful stained glass modules from the 12th century, and to my amazement, I regretted the fact that I could not come closer ... Not being able to touch them … Not being able to recreating this magical atmosphere under those colored stained glass modules at home as I would need a  glass roof ... Then I thought about my large collection of glass bottles, which was becoming pervasive at that time, and I decided to recycled them, I started creating my own glass tiles and building sculptures and stained glass modules whose contact and manipulation are less restrictive ... My thoughts were quickly flowing into design ... The structure of trees with their translucent leaves ... feathery ... opened to illustrate my desire to create full and empty spaces where the dynamic fluidity of life is a priority ... I then distributed in the workshop to implement all these ideas ... Since then, my artistic search flows in this direction, where the alchemy ... the materials metamorphoses, the alliance of the fire ... water ... air ... earthenwares ... metals is a never ending story ... Now I get bottles thrown on the sidewalk ... in the gardens ... in public places to recycled them into daydreaming drops ... Maru.

Organic in structure, this three dimensional art piece is made of spirals of transparent energy crystallized by recycled colored glass soldered together with iron and lead threads.


This sculpture has been expertly crafted with technics from the 16th century by Venezuelan-French artist Maru Hernandez who has been recycling and collecting gorgeous multi-colored textured glass bottles for the past 30 years.


Maru's Indian Teepees stained glass sculpture is perfect for a sunny window, or with a back-light as center piece for your living-room, or set in your garden landscape where morning or afternoon sun can really show off it's splendor.

The Tree of Life series is a colored tribute to chief Raoni Metuktire, emblematic figurehead of the fight against deforestation in the Amazon, whom passed the case to the European Union and whom was received by the President of the French Republic, Francois Hollande.


Maru’ objective is to alert and educate denouncing the confiscation of land in the Amazon for economic projects and very painful that devastate the lives of her people. About 1% of the population of Venezuela belongs to indigenous groups, it is estimated that there are 34 groups that maintain their own culture, radically different from the culture inherited from the period of Spanish colonization. Many still stick to their traditional ways of life, their conditions and their languages​​.


The current situation of many Indians is precarious. Extreme poverty and high mortality, as well as an intrusion into their traditional lands by foreign groups and mining that seem to destine to the disappearance of several ethnic groups, especially inthe Amazon.

In July, a group of Yanomami, Venezuelan indians, reported being victims of an alleged attack by illegal miners, Brazilian garimpeiros, who may have left "an unknown number of victims", according to the complaint filed with the authorities of the state of Amazonas, in the south the country. According to the complaint, three survivors of the attack that would have affected a community of 80 people, and it is feared they may have died. In 1993, 16 Yanomami Indians were killed by garimpeiros in what became known as the slaughter of Haximú.

Eco-friendly Recycled Glass Sculptor